Ryan Coogler's Sinners is a consistently entertaining mash-up of genres with sharp commentary on race and American history. The ambitious script ventures into musical, fantasy, historical drama, and horror. The film pays homages to its influences, but also a singular work alongside other American epics. Sinners is inn conversation with films like O Brother Where Art Thou? and Django Unchained. As you may infer, the film has a lot going on that may disrupt the tone at times, but it's all impressive modern cinema
The film stars Michael B. Jordan in dual roles as twin brothers Elijah and Elias, both WWI veterans who became enforcers in the 1920s criminal underworld of Chicago. They return to Clarksdale, Mississippi to open a juke joint from money they ripped off from other gangsters. Back in their hometown they renew some old acquittances, Elijah with his ex-wife Annie (Wunmi Mosaku), who is a practitioner of Hoodoo, and Elias with ex-girlfriend Mary (Hailee Steinfeld) who passes as white. Their cousin Sammie is a blues prodigy to the dismay of his preacher father who sees the music as evil. Delroy Lindo provides a steady presence as wizened piano player Delta Slim.
I like the idea of a place being an interlocuter between the past and future, and the juke joint serves that story function in Sinners. Juke Joints were a place to celebrate creativity and self-expression away from the daily oppression of the Jim Crow system. Much of what's considered American culture came from such places, innovators from outside mainstream culture. The vampiric nature of cultural appropriation is one of the key metaphors in the film.
The musical sequences are fantastic, ranging from majestic to the sublime. A blues jam evolves into a history of music, but is matched by the sheer magic of pure blues being played on acoustic guitar. And there's an extended cameo that will delight blues fans all over the world. Delta Slim observes at one point that while white people love the blues, they hate the people who play it. The white characters in the film are all parasitic in some way, understandable since if you were Black in Mississippi in 1932 white supremacy ruled.
The entire cast is fantastic, led by Michael B. Jordan who is a true move star. His work with Coogler from Fruitvale Station, Creed, and Black Panther mirror De Niro and Scorsese. Everyone in the cast are given memorable moments.
Going by the Box Office, Sinners has struck a cultural nerve at a fraught time. The film is about celebration and joy as defiant acts in the face of a political movement doing everything it can to erase Black history and dismantle any semblance of democracy. Sinners is a reminder there's a dynamic counterforce towards the MAGA impulse.
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